000			03496nam a2200217Ia 4500
003			NULRC
005			20250520100619.0
008			250520s9999 xx 000 0 und d
020			_a9781119978657
040			_cNULRC
050			_aNA 2543 .I56 2013
245		4	_aThe innovation imperative : _barchitecture of vitality / _cguest-edited by Pia Ednie-Brown, Mark Burry, and Andrew Burrow
260			_aLondon, United Kingdom : _bJohn Wiley & Son, Inc., _cc2013
300			_a136 pages : _bcolor illustrations ; _c28 cm.
365			_bPHP2848
505			_aEditorial -- About the guest-editors -- Introduction -- The ethics of the imperative -- Design and society: innovation through appropriation and adaptation -- Innovation at the storefront: the practice of Eva Franch i Gilabert -- Architecture as initiative (a manifesto) -- On a fine line: Gregg Lynn and the voice of innovation -- Becoming architectural: affirmative critique, creative incompletion -- The Ebb and flow of digital innovation: from form making to form finding - and beyond -- Strange vitality: the transversal architectures of MOS and new territories/R&Sie (n) -- The vitality of matter and the instrumentalisation of life -- Initiating change: architecting the body-environment with Arakawa and Gins -- bioMASON and the speculative engagements of biotechnical architecture -- The evolutionary dynamics of sentience in cities -- Final draft: designing architecture's endgame -- Differentiation in vital practice: an analysis using RMIT University of Technology and Design Interfaces with architects -- The mothers of invention -- Designing tomorrow's innovation -- (Counterpoint) Architecture, innovation and tradition -- Contributors
520			_aThe pressure to innovate has become pervasive. Both inside and outside the architectural profession we are increasingly pressed by the quest for the new; by an innovation imperative. But what does ‘innovation’ really mean for architecture? Predominantly framed in terms of technological invention, economics and consumption, the notion of innovation is often problematically applied to the arts. Design and creativity are widely considered as drivers within innovation economies, but how can architects understand and approach the imperative to innovate meaningfully, ethically and on their own terms? Suggesting a process that is fundamentally emergent, collective and environmentally situated, The Innovation Imperative explores architectural innovation in terms of the production of vitality. Emphasising attention to ways of doing as key to innovation, this title of AD brings together historical perspectives with a range of leading provocative, emerging approaches to architectural practice that together offer fresh insight into the often vague and ubiquitous atmospheres of innovation-speak. Ultimately, this issue asks how an emphasis on vitality might offer a more nuanced understanding of the aesthetic value and ethical know-how intertwined within innovative architectural endeavour. Contributors include: Mario Carpo, Oron Catts and Ionat Zurr, Jondi Keane, Brian Massumi, Leon van Schaik, Michael Weinstock, and Gretchen Wilkins and Liam Young. Featured architects and designers include: Arakawa and Gins, Eva Franch i Gilabert, Greg Lynn, MOS (Michael Meredith and Hilary Sample), Francois Roche, Veronika Valk and Vergelabs.
650			_aARCHITECTURAL DESIGN -- 21ST CENTURY
700			_aBurry, Mark;Burrow, Andres. _eeditor;editor
942			_2lcc _cBK
999			_c9480 _d9480