Orientation to drawing and painting / Robert Henkes
Material type:
- NC 590 .H46 1965

Item type | Current library | Home library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|---|
![]() |
National University - Manila | LRC - Architecture General Circulation | COA General | GC NC 590 .H46 1965 (Browse shelf(Opens below)) | c.1 | Available | NULIB000017706 |
Browsing LRC - Architecture shelves, Shelving location: General Circulation, Collection: COA General Close shelf browser (Hides shelf browser)
![]() |
No cover image available | No cover image available | No cover image available | No cover image available | No cover image available | No cover image available | ||
GC NC 45 .G73 1971 Graphic designers in Europe / | GC NC 45 .G737 1971 Graphic designers in the USA 1 / | GC NC 52 .S93 1976 Drawing file for architects, illustrators, and designers / | GC NC 590 .H46 1965 Orientation to drawing and painting / | GC NC 730 .H67 2002 Drawing now : eight propositions / | GC NC 730 .L44 2002 Drawing shortcuts : developing quick drawing skills using today's technology / | GC NC 730 .S64 1973 The practice & science of drawing / |
Includes index.
1. Modes of art -- 2. Orientation to drawing -- 3. Contour drawing -- 4. Gesture drawing -- 5. Drawing weight and mass -- 6. Contrast in texture drawing -- 7. Geometric drawing: nonobjective art -- 8. Orientation to painting -- 9. Brushless painting -- 10. Watercolor painting -- 11. Variations in ink -- 12. Still life and landscape painting -- 13. Other means of expression -- 14. Figure painting with tempera -- 15. Motivation of ideas -- Index.
This book is not a step-by-step procedure of drawing and painting activities; rather, it is a book dealing with art experiences presented in a direct approach. The drawing and painting experiences discussed are direct in nature and are designed to erase incompetence and frustration and bring about self-discipline and confidence. Each chapter deals with a specific type of drawing or painting experience, and each experience has a specific purpose.
There are no comments on this title.