Myth and writing : occasional prose / J. Neil C. Garcia
Material type:
- 9789715428088
- PR 9550.6 .G37 2016

Item type | Current library | Home library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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National University - Manila | LRC - Annex Filipiniana | Gen. Ed - CEAS | FIL PR 9550.6 .G37 2016 (Browse shelf(Opens below)) | c.1 | Available | NULIB000016570 |
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FIL PN 6109 .R62 1961 Mga akdang pampanitikan : mga tula ni Jose Rizal / | FIL PN 6140.L7 .F36 2017 Press : 100 love letters / | FIL PQ 6013 .G35 2004 Doña Perfecta / | FIL PR 9550.6 .G37 2016 Myth and writing : occasional prose / | FIL PR 9550.6 .P53 2018 Philippine folk literature : the epics / | FIL P 301 .D29 2005 Retorika : patnubay sa masining na pagpapahayag sa kolehiyo / | FIL Q 161.2 .I58 2010 Introduction to physical science / |
Includes bibliographical references and index.
I. The literary practice of complexity -- Myth and Writing: Notes from the field -- The gay self as myth: Confessionalism and mythmaking in gay lyric poetry -- Translating the real: Rethinking postcolonial resistance in Philippine anglophone literature -- Villa, Montano, Perez: Post coloniality and gay liberation in the Philippines -- Answering an Oft-Preached bigotry: spirituality and the bakla -- II. Desirous grace -- Edith L. Tiempo: A tribute -- Fakery and faith: A review of Floy Quinto's Fake -- In memoriam -- Journeying into the Deep: Donsol -- On Jay and Indie films -- Paradoxical Philippines -- Reaction to Vicente Rafael's "Spanish Death=Filipino Freedom" -- Philippine contemporary art -- On bigotry and translation -- Theory and the question of the native -- To the "Poets-Critics" -- Art and suffering -- The university of the Philippines press -- Writing and research in the Philippines -- The crisis in our midst -- The Lumad that is us -- LGBT discourse in the Philippines -- The literary uses of Mythology -- III. From "Letters to J" -- IV. Remedios -- Lev -- Kitty and Vergil -- Paolo.
This book wants to emphasize the provisionality of these particularly forms of freewheeling expression, flagging perhaps the provisionality of all forms, of all expressions, especially if it is supposed to be eminently personal, which of course is a fiction, since it is the impersonal imperatives and structures of language that speak in and through us, in the beginning as in the end.
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